Sepia Starshine

I, Too, Sing America I, too, sing America I am the darker brother.  They send me to eat in teh kitchen When company comes. But I laugh,  And eat well, And grow strong. Tomorrow,  I'll be at the table When company comes. Nobody'll dare Say to me, "Eat in the kitchen," Then. Besides, They'll see how beautiful I am And be ashamed -- I, too, am America. Langston Hughes  (1902-1967) American poet, novelist and playwright

The revue at Harlem's Apollo Theater introduced by Master of Ceremonies Ralph Cooper during the week of May 14, 1934 included Clarence Robinson's ostrich feather-attired chorus, the Jack Storm company of acrobats, torch/blues singer Myra Johnson, tap dancers The Four Bobs, dancer "Jazz Lips" Richardson, Lindy Hop contest-winners Leroy and Edith, comedians Johnny Lee Long and Pigmeat Markham and the film Blonde Crazy starring Jimmy Cagney -- all for the ticket price of 15 cents.

Godfrey MacArthur Cambridge was born February 26, 1933 in New York City to British Guiana émigré parents. Young Godfrey lived in Nova Scotia with his grandparents where he attended grammar school. GodfreyCambridge made his Broadway debut in Nature’sWay in 1956. He also appeared in both stage and screen versions of the Ossie Davis -penned Purlie Victorious, released in 1963 as Gone Are the Days!    For his work in The Blacks , Cambridge won an Obie in 1961 for Most Distinguished Off-Broadway Performance. Godfrey Cambridge also lent his considerable talent to Hollywood’s silver screen starring as Harlem-based Detective Gravedigger Jones opposite Raymond St. Jacques as Detective Coffin Ed Smith in Cotton Comes to Harlem (1970) and its sequel Come Back Charleston Blue (1972).  Although he was a very competent dramatic actor, Godfrey Cambridge was better known for his work as a stand-up comedian . His material was often drawn from racial conditions in contemporary America. I

Called the "dean of black American actors," Charles S. Gilpin had a career in Vaudeville spanning 20 years. For Gilpin , like for many actors then and since, there may be long stretches of unemployment between gigs. When he was not on stage, Gilpin worked as a printer, an elevator operator, a prize-fight trainer and a porter.             C harles S. Gilpin (1876-1930) Gilpin organized the Lafayette Theatre Company in 1916 as one of New York's earliest black stock companies. In 1920, Gilpin began a four-year run on stage as The Emperor Jones . The National Association for the Advancement of Colored People ( NAACP ) in 1921 awarded Charles Gilpin its prestigious Spingarn Medal for his contribution to the theatre.

"Even if I believed that women should be denied the right of suffrage, wild horses could not drag such an admission from my pen or my lips...                                         Mary Church Terrell (1863-1954) “What could be more absurd and ridiculous than that one group of individuals who are trying to throw off the yoke of oppression themselves, so as to get relief from conditions which handicap and injure them should favor laws and customs which impede the progress of another unfortunate group and hinder them in every conceivable way. For the sake of consistency, therefore, if my sense of justice were not developed at all, and I could not reason intelligently, as a colored woman, I should not tell my dearest friend that I opposed woman suffrage.”

Lorraine Vivian Hansberry was born in Chicago on May 19, 1930 to politically-active parents Carl, a real estate broker, and Nannie, a schoolteacher. When she was in third grade, Lorraine and her family were forced to move from the all white neighborhood they had moved into on Chicago's South Side after taunting, harassment and a lower court ruling that upheld restrictive housing covenants in Chicago which barred blacks from moving into white areas.  Carl Hansberry challenged the ruling all the way to the Supreme Court of the United States, which ruled in his favor and struck down restrictive housing covenants. ( Hansberry v. Lee, 1940 ) In addition to her interest in theater, Hansberry also dabbled in art and studied painting at several schools, including the Art Institute of Chicago . Later, while a student at New York's New School for Social Research , Hansberry met Paul Robeson and began working first as a reporter and later as an associate editor for Freedom , Robeso