Skip to main content

Everyday Black History ~ Charles S. Gilpin

Called the "dean of black American actors," Charles S. Gilpin had a career in Vaudeville spanning 20 years. For Gilpin, like for many actors then and since, there may be long stretches of unemployment between gigs. When he was not on stage, Gilpin worked as a printer, an elevator operator, a prize-fight trainer and a porter.

           Charles S. Gilpin (1876-1930)

Gilpin organized the Lafayette Theatre Company in 1916 as one of New York's earliest black stock companies. In 1920, Gilpin began a four-year run on stage as The Emperor Jones. The National Association for the Advancement of Colored People (NAACP) in 1921 awarded Charles Gilpin its prestigious Spingarn Medal for his contribution to the theatre.

Comments

Popular posts from this blog

Legendary TV Characters ~ Fred Sanford & Aunt Esther

“Esther, I could stick your face in some dough, and make gorilla cookies .” Fred G. Sanford ( Redd Foxx ) talking to sister-in-law and frequent foil “Aunt” Esther ( Lawanda Page ) on Sanford & Son , the venerable sitcom that, since its debut on the NBC television network in January 1972, has never been off the air .

Everyday Black History ~ Billie Holiday

Billie Holiday c. 1933 From An Accident Comes a Legend Billie Holiday was born Eleanora Fagan in Baltimore on April 7, 1915, the illegitimate child of Sadie Fagan, a domestic and Clarence Holiday, a musician who abandoned Sadie and the young Eleanora for the grind and glory of the road. It is said that he referred to his adoring daughter as an “accident” and “something I stole when I was fifteen.” Young Eleanora stayed with relatives in Baltimore while her mother labored as a domestic in New York City.  The girl spent a good portion of her time at a neighborhood brothel where she would spend hours listening to the music of Bessie Smith and Louis Armstrong on its Victrola . After almost being raped at the tender age of 10, Eleanora was sent away to an institution ran by Catholic nuns as punishment for allegedly enticing the man who almost stole what little innocence she had. 'Lady Day' c. late 1930s An Extraordinary Career Begins When she was 18 in ...

Everyday Black History ~ Williams and Walker

Art recreates art  T he comedy team of Bert Williams and George Walker billed themselves as "Two Real Coons" as a genuine alternative to white comedians who performed in blackface. The duo, who met and teamed up in San Francisco, moved to New York in 1896.   When discussing the popularity in 1906 of white comedians in blackface billing them selves as "coons" with New York's Theatre Magazine, Walker explained the duo's rhyme and reason:  "Bert and I watched the white "coons" and were much amused at seeing white men with black cork on their faces trying to imitate black folks. We thought that as there seemed to be a great demand for black faces on the stage, we would do all we could to get what we felt belonged to us by the laws of nature."     Bert Williams and George Walker wrote, produced and acted in their own musical revues, filling theatre seats with New Yorkers, both black and white in productions named Sons of Ham ...